Holding Out for a Hero

Pick your battles. Win the war. The hero is the one who follows their heart... Prince Igor was faced with terrible odds, the invaders were closing in and half of his army had deserted.

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Upon entering the battle his weakened forces suffered many losses at the hands of the Mongols and Prince Igor was captured. After some time his captors organized his escape and Prince Igor returned home. Defeated. But with a second chance... The chance to return home. This painting is one of three which tell the Russian epic poem from the 12th Century of an unlikely hero and his faults, his missteps and his return.

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These oil paintings have also made a return. A return to the family of the artist - they have come full circle. Through diligence and research and sheer good luck, today I made a delivery and brought the art home. I had bought these paintings years ago. They had made their journey and I had come across them. Rolled up.


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Told that all the other dealers had passed on them so they must be of little value. Value. What is valuable? History. Legacy. Stories passed down from one generation to the next through art. I think of myself as a vehicle taking art from the past and bringing it to the future. Generations to come will know the art of their ancestors. I am honored to be part of the history of these paintings and their legacy. ;-) hkv

Extra Information:
Eugene Andrew Agafonoff (Evgeny Andreevich Agafonov) was a Ukrainian painter, graphic artist and scene-designer who was born in 1879. He was born to a family of merchants. He got his first art education in St. Petersburg Academy of Arts in 1899–1907. He studied under the guidance of P. Kovalevsky and F. A. Roubaud. In 1910 Agafonov was awarded gold medal for the painting Draymen at the regional South Russia exhibition in Ekaterinoslav. In 1905–1907 during the Revolution, Agafonov illustrated Kharkov satirical magazines Shtyk (“Bayonet”), Mech (“Sword”), Zloy Dukh (“Malignant Demon”) and others. In March 1906 Agafonov together with A. N. Grot, V. D. and D. D. Burlyuk participated in the 7th exhibition of the Cirlce of Kharkov artists (1900–1908). Since 1908 he exhibited his works at the exhibitions of the Association of Kharkov artists, at the exhibition of the group Zveno (“Link”) in Kiev (1908), in Rostov-on-Don and Kursk. In 1909 Agafonov founded the experimental theatre, Blue Eye, in Kharkov on the basis of the avant-garde studio Blue Lily. He designed a lot of performances for this theatre, including The Stranger by A. Blok. The theatre worked only two seasons and was closed in February 1911. Later Agafonov left the Association of Kharkov artists and organized an avant-garde group Koltso (“The Ring”, 1911–1914). Members of the group were A. N. Grot, A. M. Zagonov, N. R. Savvin, M. S. Fedorov, E. A. Shteinberg and others. In 1913 Agafonov joined the group Bubnovy Valet (“Jack of Diamonds”), took part in the exhibitions of the group in St. Petersburg. Agafonov participated in the First World War; in 1918 he returned to Kharkov. In the same year he designed covers of the Theatre Magazine . Agafonov joined the group Khudozhestvenny Tsekh (“The Art Guild”); in 1918–1919 he together with M. A. Voloshin, Mane-Katz, and E. A. Shteinberg took part in the exhibitions of the group. In 1919 Agafonov lectured as an art critic in the studio of painting and drawing under the ProletCult (Proletarian Culture). He also exhibited his works at the First exhibition of the Art department of Kharkov Soviet of worker’s deputies. Evgeny Agafonov painted a lot of portraits including Lieutenant P. P. Schmidt’s lawyer, A. Alekseev (1906) and portrait of the actress V. F. Komissarzhevskaya (1908). In his paintings Agafonov often used Ukraine national motifs. He also painted landscapes, drew sketches and did drawings. In early 1920s Agafonov immigrated to the USA. He was engaged in easel painting, graphic art and advertising. He exhibited his works at the exhibitions of the Society of Independent Artists (1929); in the French gallery in New York (1931); in the Greenwich public library (1939); and in Derby, Connecticut (1943). Personal exhibitions of the artist were held in the Cas-Delbaut gallery in New York (1931). Works by Evgeny Agafonov, which the artist left in Kharkov, were kept in Kharkov Art Museum. During the Great Patriotic War, the greater part of his works was lost. Only several drawings and theatre designs remained in Kharkov Art Museum." Mr. Agafonov died in 1955. *Info from Art Investment Russia